I don’t know about the latter half of your statement, but my main reason for its use is pretty simply just that there’s more music available, and it doesn’t take all the time it normally would to get invited to a good music tracker. If anything, specialized Torrent trackers that could offer the same volume of music are a much bigger pain go deal with.

Yeah, I don’t think this one is a priority for the IDF boss.

Soulseek is a P2P file sharing system centered around music in particular. It’s pretty direct. Unlike a torrent where you’ll have multiple seeds for a single source, you’re connecting directly to other individuals for the content. It generally operates under the expectation that you’re also sharing something, and some users may opt not to allow downloads to people who do not also allow downloads from themselves. The downside to this system is you may need to wait for that person to come online before you can start a download, while with a torrent, other seeders can fill that gap.

It’s survived as a pretty big platform for music hoarders to source hard to find material, but it’s so dead simple to use and it has a quick and reliable search. Nothing secretive about it, it’s basically just another P2P network that has more in common with Napster than the Pirate Bay

Can I introduce you to soulseek? I promise it’s going to serve way better than torrents for that kind of stuff.

I like CDs, but I guess I can’t really call myself a kid anynore though, being in my mid twenties. I typically use Spotify for discovery/casual listening but but an album on CD or digitally through Bandcamp when the option is presented to me. I went out of my way to buy a 25 disc CD changer.

Vinyl have definitely become way more popular for physical music purchases, but I like the smaller footprint of a CD.

I do think the vast majority of people use Youtube Music, Spotify or a similar service though. It’s inexpensive, has family plans and optical media players just aren’t common anymore.

Similarly, if you’re born at the tail end of Millenial/start of Gen Z, then you still grew up with a collage of 90s and 00s culture and inconography, offsetting the definitions the groups typically gain over time. Some Gen Z grew up into adolescence without really feeling the advent of the modern internet or social media. The end of that range never knew a world without it.

Generations are useful statistical groupings, but don’t represent individual experiences or influences, leading to disparity or outliers that feel excluded from their “peers” so to speak. I’d say I probably share more experiences with Gen Z, but a lot of the cultural aspects of my childhood are closely linked to later Millenial ones. There’s a gradient, not a cutoff.

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Also worth noting is their history as an IP mill. Dead By Daylight is a surprise hit amongst many a licensed deal to produce games that would nearly qualify as shovelware in most cases over the last 20+ years. DbD gives them some independence, but they’re still largely a “studio for hire” by anyone who needs them.